lamelancoly: Heinz Hajek-Halke-  "Les mains du destin" publiée  in  Revue Des Monats, Janvier, 1927

lamelancoly: Heinz Hajek-Halke-  "Les mains du destin" publiée  in  Revue Des Monats, Janvier, 1927

(via laukitsch)

ryanpanos:

Sydney Opera House’s 40th anniversary | Jørn Utzon | Via

If Jørn Utzon did not exist, we would have to invent him. His story, mostly the legend of that single and singular building, the Sydney Opera House, provides the enduring foundational myth for all contemporary architectural practice. Utzon is our sage Kenobi, our renegade Solo, our heroic Skywalker, all in one. He looked the part, too: an architect out of central casting in the Gary-Cooper-as-Howard-Roark mould, as tall as Rem Koolhaas, as beautiful as Jacques Herzog, as Danish as Bjarke Ingels.

sojamo: Variations (by Kyle McDonald)

sojamoVariations (by Kyle McDonald)

(via affectingspace)

nexttoparchitects: by firstwetakemanhattan

nexttoparchitects: by firstwetakemanhattan

aakashnihalani:
"Loading" by Aakash Nihalani (site-specific gif, tumblr dash)

aakashnihalani:

"Loading" by Aakash Nihalani
(site-specific gif, tumblr dash)

(via aakashnihalani)

betonbabe:
OSWALD MATHIAS UNGERS
LUDWIG MUSEUM IN COLOGNE, 1975

betonbabe:

OSWALD MATHIAS UNGERS

LUDWIG MUSEUM IN COLOGNE, 1975

(via not2cad)

(Source: cinoh)

not2cad: Lebbeus Woods did not cad

not2cad: Lebbeus Woods did not cad

psychonautical: Victor Vasarely, Bora III, 1964, oil on canvas, 149 x 141cm

psychonauticalVictor VasarelyBora III, 1964, oil on canvas, 149 x 141cm

(via ungraphiste)

ryanpanos: Enzo Mari | RNDRD

ryanpanos: Enzo Mari | RNDRD